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Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. The Office — Rate This. Season 4 Episode 8. All Episodes Michael is put in an awkward position when Jan sues Dunder Mifflin for wrongful termination and he is deposed as a witness.
Director: Julian Farino.
The deposition - Graham Sutherland
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Episodes of TV I've Watched. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Photos Add Image. Edit Cast Episode cast overview, first billed only: Steve Carell Michael Scott Rainn Wilson Jim and Darryl quickly bore of watching them and decide to play ping pong in the conference room. The episode concludes with Dwight playing a high-intensity game of ping pong against his cousin Mose Schrute Michael Schur , with the two at an apparent stalemate.
Lewis also worked for the show as a consulting producer.
The episode was the second of the show to be directed by Julian Farino. Farino also directed the third season episode " Back from Vacation ". The show runner for The Office , Executive Producer Greg Daniels , returned on February 11,  while the show's writers returned to work on February Executive producer and show runner Greg Daniels stated that one of the main purposes of "The Deposition" was to add on to the tension building between Michael and Jan.
This tension would finally end its build-up with the splitting of Michael and Jan in the episode "Dinner Party". The crew was doing one last take of the scene and actor Paul Lieberstein suggested that Steve Carell push his food off the table.
Rainn Wilson and Michael Schur mimed the actions of a ping pong game, and during the stages of editing and post-production the ping pong ball was added in as an effect. The episode was watched by 8.
Rick Porter of Zap2It. Porter also praised the final scene of the episode, when Jan and Michael drive home after the day.
Graham Sutherland - The deposition
Porter stated "I don't know whether to laugh or turn away in shame from that final scene, though, as they bicker about what to eat while they're driving home. It was like watching two friends fight — fascinating and incredibly uncomfortable at the same time. It's almost as if the writers planned it this way — to emphasize their importance and remind us how much we'll miss them when they're gone.
From Wikipedia, the free encyclopedia. The New York Times.
Role of Mucoid Substances of the Aorta in the Deposition of Lipids
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Experience the friendly welcome, unique interior and rural tranquillity The large garden, stunning stone fireplace and indoor pizza oven, ancient timber beams, stone flag floors and many more period features contribute to the authentic atmosphere and individual charm that our guests enjoy time and time again. San Marco a Firenze. The Deposition from the Cross is a painting executed by Fra Angelico between and Fra Angelico intervened to complete this altarpiece when it had been already begun by Lorenzo Monaco for the Strozzi Chapel in the Florentine church of Santa Trinita.
It portrays Christ supported by several people, with Mary Magdalene keeping his feet, as a symbol of human repention. A figure on the right, with a red hat, is showing the cross' nails and the horns crown, symbols of passion and sacrifice. Mary, wearing a dark dress, is showed in the traditional gesture of keeping hands joined.
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At the center, Joseph of Arimathaea, Nicodemus, and the young Saint John the Evangelist, all haloes, lower the lifeless body of Christ. Two unidentified gentlemen, sometimes considered portraits, also participate. At far left Fra Angelico has depicted the many women who had followed the Via Crucis procession from Jerusalem, including the three Maries. Two other holy women in this group who have halos have never been identified. There are no textual of pictorial precedents for the group of worshipers, at right, who contemplate the event and sagely discuss the crown of thorns and the three nails.
The young man kneeling in the foreground is believed to represent the Blessed Alessio degli Strozzi, a holy ancestor of Palla Strozzi, the humanist who commissioned this altarpiece for the sacristy of Santa Trinita. Fra Angelico was born Guido di Pietro, at Vicchio, in the Tuscan province of Mugello, near Florence towards the end of the 14th century, of unknown but seemingly well-to-do parentage, and was baptized Guido or Guidolino friars use to change their name when entering the orders. Still a young boy he asked for admittance at the convent of San Domenico in Fiesole, where Dominican friars were known for their rigid rules and were called "the Observers".
He completed his novitiate in Cortona in and became a real Dominican monk in Fiesole about with the name of "Fra Giovanni da Fiesole"; "The Angelic" is a laudatory term which was assigned to him at an early date,—we find it in use within thirty years after his death; and, at some period which is not defined in our authorities, he was beatified by due ecclesiastical process.
Whether he had previously been a painter by profession is not certain, but may be pronounced probable. The painter named Lorenzo Monaco may have contributed to his art-training, and the influence of the Sienese school is discernible in his work.